In February 1882,
Claude Monet went to Normandy to paint, one of many such expeditions that he
made in the 1880s. This was also a retreat from personal and professional
pressures. His wife, Camille, had died three years earlier, and Monet had
entered into a domestic arrangement with Alice Hoschedé (whom he would marry in
1892, after her husband’s death). France was in the midst of a lengthy economic
recession that affected Monet’s sales.
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