Denis Sarazhin’s portraits focus on the
communicative potential of the human body. The artist denies the viewer the
affirmation of eye contact by frequently obscuring his subjects’ faces,
preferring instead to convey meaning in the kinetic forms of his figures. In
his "Pantomime" series of paintings, Sarazhin captures a dramatic sense of
motion through his subjects’ contorted poses, reminiscent of the distorted
figural works of Expressionist painter Egon Schiele.
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