The king had been a prisoner
at a prison long in Spain
And Willie of the Winsbury
has lain long with his daughter at
home.
"What ails you, what ails you,
my daughter Janet
why you look so pale and wan
Have you had any sore sickness
or yet been sleeping with a
man?"
"I have not had any sore
sickness
nor yet been sleeping with a man
It is for you, my father dear,
for biding so long in Spain"
"Cast off, cast off your
berry-brown gown
you stand naked upon the stone
That I may know you by your shape
if you be a maiden or none".
And she's cast off her berry-brown
gown
she stood naked upon the stone
Her apron was low and her haunches
were round
her face was pale and wan.
"Was it with a lord or a duke or
a knight
or a man of birth and fame
Or was it with one of my serving men
that's lately come out of
Spain?"
"No, it wasn't with a lord nor a
duke or a knight
nor a man of birth and fame
But it was with Willie of Winsbury
I could bide no longer alone"
The king has called on his merry men
all
by thirty and by three
Saying "Fetch me this Willie of
Winsbury
for hanged he shall be"
But when he came the king before
he was clad all in the red silk
His hair was like the strands of gold
his skin was as white as the milk.
"And it is no wonder, "
said the king
"That my daughter's love you did
win
For if I was a woman, as I am a man
my bedfellow you would have
been"
"Now will you marry my daughter
Janet
by the truth of your right hand?
Oh will you marry my daughter Janet
I'll make you lord of my land"
"Well yes, I'll marry your
daughter Janet
by the truth of my right hand
Well yes I'll marry your daughter
Janet
but I'll not be the lord of your
land"
He's mounted her on a milk-white
steed
himself on a dapple grey
He has made her the lady of as much
land
as she shall ride in a long summer's
day.
It is a hauntingly beautiful folk ballad that reimagines the traditional Scottish song "Tom the Rhymer" (Child Ballad 100). Sung with Jacqui McShee’s clear, ethereal voice, it tells the story of a king returning home to find his daughter pregnant by a mysterious lover, Willy O’ Winsbury. Instead of punishment, the king is moved by Willy’s beauty and grants him his daughter’s hand. Pentangle’s version blends medieval melody, intricate acoustic guitar by Bert Jansch and John Renbourn, and gentle bass and percussion, creating a timeless, dreamlike atmosphere that captures love’s power to transcend authority and convention.
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